With each new version, the reverb has been refined and enhanced. For decades, studio engineers considered Blackhole their “secret weapon.” It’s become the go-to ambient effect for guitar and keyboard layers. This famed, massive reverberator first saw the light of day as an algorithm in Eventide's rackmount DSP4000. With the Blackhole plug-in, any instrument in your DAW can warp acoustic space and time. Now you can get the galactic sounds of the Blackhole reverb in this native plug-in form. These presets cover spaces as small as a room and as large as space itself. Included with Blackhole is a carefully curated set of 50 presets that serve as a launchpad for your explorations. In short, Blackhole is destined to be one of those tools that you turn to time and again when reality just isn’t enough.īlackhole was designed to give you extensive control, allowing you to craft your own signature sounds. Whether you’re at the event horizon or closer to home, Blackhole will inspire and amaze while its intuitive controls will allow you to add that special something to your tracks without a degree in rocket science. While it’s true Blackhole is capable of creating space-warping special effects and drones, it’s also capable of creating musical and subtle effects you’ll find useful for highlighting key instruments or painting a backdrop for your mix. At small sizes, those very same qualities can add an angelic sheen to vocals or turn a simple drum track into an otherworldly rhythm section. At large sizes, its soft attack and lingering, harmonic tails allow it to really shine on guitars, strings and pads. We have worked with it extensively over the years, releasing several highly acclaimed expansions. Eventide's Blackhole reverb breaks the rules by allowing you to create virtual spaces that could never exist in reality (or at least the one we inhabit). Eventide calls Blackhole the 'Extraterrestrial' Reverb. At longer decay times, Blackhole allows the articulation to shine through without competing with the reverb tail.Most reverbs are earth-bound and constrained by the physics of the real world. Create interesting swells or suck the dry signal back into the reverb tail.
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